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eMusic reaches agreement with Universal music
October 13, 2010 Online music book-club subscription service eMusic has licensed Universal Music Group (UMG) catalogue in a US-only deal. The agreement brings the eMusic catalogue available in the territory to 10m tracks. Coinciding with the new deal, eMusic announced a new price structure to take effect from November 2010. Instead of a fixed number of monthly downloads (the previous scheme offered 24 songs for $11.99 per month, 35 for $15.89, and 50 for $20.79), users will spend pre-paid monthly credits on individual titles with a discrete price, ranging between $0.49-$0.89 for single tracks and $5.19-$8.99 for albums. The remaining credit will not roll over to the next month, unless it is less than a price of a single track (under the existing price structure monthly download quota is non-transferrable also). No details have been release on the changes in price structure in the territories outside the US (currently, Canada and the EU). The company started operations in 1998, distributing music from independent labels. However, last year the company started adding Major label content: first from Sony Music Entertainment (SME) in June 2009, than from Warner Music in January 2010. The former deal included only catalogue titles (older than two years) but spanned all eMusic territories, while the latter deal was limited to the US. Despite the addition of 'mainstream' content, the company maintained 'indie'-focused editorial focus. The addition of SME also coincided with a subscription price hike across all tiers; however, the company claimed that the 2009 pricing change was not a result of the SME deal, but rather the catalogue expansion in the aftermath of SME deal served as an excuse to introduce the price increase which its independent label partners have long asked for. By contrast, eMusic related that the 2010 pricing scheme revision is due to the unsustainability of its current business model. With the scheme the company has effectively ditched the simple book-club subscription model in lieu of a 'discount' MP3 store billed on a pre-paid basis. Screen Digest understands that in its 'indie' days eMusic's agreements with the independent labels stipulated a pro-rata subscription revenue division. The new explicit pricing of tracks and albums suggests that the majors have either imposed the wholesale per-title pricing (a standard approach to licensing DTO stores) or have negotiated a bigger revenue share pay-out. Tags:
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