Digital Cinema: Global and European roll-out, business ...

This comprehensive report includes a full analysis of the global digital cinema roll-out, including all Screen Digest's proprietary market data and forecasts for digital screens to 2012, business models and value chain, an analysis of the current situation and perspectives in Europe, the value proposition for distributors and exhibitors, including digital 3D and alternative content, and full profiles of leading companies and countries
published: 10-Dec-07
territories: Argentina, Australia, Austria, Belgium, Brazil, Canada, China, Czech Republic, Denmark, Egypt, Finland, Germany, Greece, Hungary, Iceland, Ireland, Italy, Japan, Korea. Rep [S], Mexico, Morocco, Netherlands, New Zealand, Norway, Poland, Portugal, Russian Federation, Singapore, Slovakia, Slovenia, South Africa, Spain, Sweden, Switzerland, UAE, UK, USA
David Hancock Charlotte Jones

The Business Case for Digital 3D Cinema Exhibition

This report is the first major analysis of this rapidly growing sector. It includes 5 year forecasts for digital 3D cinema screens by major territory, exhibitor business models as well as analysis of potential revenues and profit margins for the industry
published: 20-Jun-07
territories: Argentina, Australia, Austria, Belgium, Brazil, Bulgaria, Canada, Chile, China, Colombia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Germany, Greece, Hong Kong, Hungary, Iceland, India, Indonesia, Ireland, Israel, Italy, Japan, Korea. Rep [S], Latvia, Lithuania, Luxembourg, Malaysia, Mexico, Netherlands, New Zealand, Norway, Philippines, Poland, Portugal, Romania, Russian Federation, Slovakia, Slovenia, South Africa, Spain, Sweden, Switzerland, UK, UAE, USA, Singapore, Thailand, Taiwan, Turkey
David Hancock Charlotte Jones

Digital cinema poised on the cusp

It is on the verge of becoming mainstream in the US but development in Europe and Asia is lagging. At the end of 2007, there were 6,456 d-screens worldwide. A rise of 115 per cent over 2006 and 6.5 per cent of the world's modern screens. Of these 4,650 were in the USA.
published: 17-Jun-08
territories: Argentina, Australia, Austria, Belgium, Brazil, Bulgaria, Canada, Chile, China, Colombia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Germany, Greece, Hong Kong, Hungary, Iceland, India, Indonesia, Ireland, Israel, Italy, Japan, Korea. Rep [S], Latvia, Lithuania, Luxembourg, Malaysia, Mexico, Netherlands, New Zealand, Norway, Philippines, Poland, Portugal, Romania, Russian Federation, Singapore, Slovakia, Slovenia, South Africa, Spain, Sweden, Switzerland, Taiwan, Thailand, Turkey, UAE, UK, USA, Venezuela - Asia-Pacific, South and Central America, Central and Eastern Europe, Europe, European Union, North America, Regional Totals, Western Europe
David Hancock Charlotte Jones

Record global cinema box office

Continuing shift in balance of world cinema business
published: 22-Oct-07
territories: Algeria, Australia, Austria, Belgium, Brazil, Bulgaria, Canada, Chile, China, Colombia, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Germany, Greece, Hong Kong, Hungary, Iceland, India, Indonesia, Ireland, Israel, Italy, Japan, Korea. Rep [S], Latvia, Lithuania, Luxembourg, Malaysia, Malta, Mexico, Morocco, Netherlands, New Zealand, Norway, Peru, Philippines, Poland, Portugal, Qatar, Romania, Russian Federation, Serbia & Montenegro, Singapore, Slovakia, Slovenia, South Africa, Spain, Sweden, Switzerland, Taiwan, Thailand, Turkey, UAE, Ukraine, UK, Uruguay, USA, Venezuela, Bolivia - Asia-Pacific, South and Central America, Central and Eastern Europe, Europe, North America, Western Europe
Charlotte Jones

Film production and distribution

Steady growth continues in world film production, as Russia becomes Europe's second largest producing country, after France, India replaces the EU as the largest producing region and average US budgets exceed $30m. World film production hit 4,858 feature films in 2006-a steady 4.6 per cent increase and the most recent high for world feature output. The increase was led by volume from Asia, particularly the Far East, where 2,481 feature films were produced, the highest total in that region since 1990. Growth was led by China, Japan and India.
published: 19-Jul-07
territories: Argentina, Australia, Austria, Belgium, Bolivia, Bosnia-Herzegovina, Brazil, Bulgaria, Canada, Chile, China, Colombia, Costa Rica, Croatia, Cuba, Czech Republic, Denmark, Ecuador, Egypt, Estonia, Finland, France, Germany, Greece, Hong Kong, Hungary, Iceland, India, Indonesia, Iran, Ireland, Israel, Italy, Jamaica, Japan, Korea. Rep [S], Latvia, Lithuania, Luxembourg, Malaysia, Malta, Mexico, Morocco, Netherlands, New Zealand, Norway, Pakistan, Peru, Philippines, Poland, Portugal, Puerto Rico, Romania, Russian Federation, Serbia & Montenegro, Singapore, Slovakia, Slovenia, South Africa, Spain, Sweden, Switzerland, Taiwan, Thailand, Tunisia, Turkey, UAE, Ukraine, UK, USA, Venezuela - South and Central America, Central and Eastern Europe, Europe, Africa and Middle East, North America, Western Europe
David Hancock Charlotte Jones

Euro cinema shows steady growth

Last year nearly two thirds of territories performed below their previous five-year averages, while the top five markets accounted for 70 per cent of the continent's box office revenue
published: 12-Jun-07
territories: Austria, Belgium, Bulgaria, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Iceland, Ireland, Italy, Latvia, Lithuania, Luxembourg, Netherlands, Norway, Poland, Portugal, Romania, Russian Federation, Slovakia, Slovenia, Spain, Sweden, Switzerland, UK - Central and Eastern Europe, Regional Totals, Western Europe
Charlotte Jones

Strong year for domestic films

Local films accounted for a third of box office revenue worldwide last year
published: 15-May-07
territories: Argentina, Australia, Austria, Belgium, Brazil, Canada, China, Colombia, Czech Republic, Denmark, Estonia, Finland, France, Germany, Hong Kong, Hungary, India, Ireland, Italy, Japan, Korea. Rep [S], Latvia, Lithuania, Malaysia, Mexico, Netherlands, Norway, Philippines, Poland, Portugal, Romania, Russian Federation, Singapore, Slovakia, Slovenia, Spain, Sweden, Switzerland, Taiwan, Thailand, UK, USA - Asia-Pacific, South and Central America, Central and Eastern Europe, Europe, North America, Western Europe, Latin America
Charlotte Jones

Digital cinema up and running

Roll-out is accelerating rapidly in the US, thanks to AccessIT's early installations (with studio support), while Europe seems to be biding its time. The number of commercial d-cinema screens in the world grew by 253 per cent in a year, from 848 to 2,996 at end 2006. This number doubled between the end of the first half 2006 and the end of the year, from 1,474 d-screens to the eventual 2,996. The rate of change has largely been the product of an industrial scale roll-out in the US. AccessIT is driving this progress and has now exceeded 2,000 installations of its 4,000 initial target.
published: 19-Apr-07
territories: Argentina, Australia, Austria, Belgium, Brazil, Bulgaria, Canada, China, Colombia, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Hong Kong, Hungary, Iceland, India, Indonesia, Ireland, Israel, Italy, Japan, Korea. Rep [S], Latvia, Lithuania, Luxembourg, Mexico, Netherlands, New Zealand, Norway, Poland, Portugal, Romania, Russian Federation, Singapore, Slovakia, Slovenia, South Africa, Spain, Sweden, Switzerland, Taiwan, Thailand, Turkey, UK, USA - Asia-Pacific, South and Central America, Central and Eastern Europe, European Union, Africa and Middle East, Regional Totals, Western Europe
David Hancock Charlotte Jones

Global cinema exhibition trends

Major cinema markets around the world reported a drop at the box office in 2005. The slump has been linked to many factors, including a lack of overtly strong titles, both from Hollywood and indigenous film industries, generally slug...
published: 16-Oct-06
territories: Algeria, Argentina, Australia, Austria, Belgium, Bolivia, Brazil, Bulgaria, Canada, Chile, China, Colombia, Costa Rica, Croatia, Cuba, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Germany, Greece, Guatemala, Hong Kong, Hungary, Iceland, India, Indonesia, Iran, Ireland, Israel, Italy, Jamaica, Japan, Kenya, Korea. Rep [S], Latvia, Lithuania, Luxembourg, Macedonia, Malaysia, Malta, Mexico, Moldova, Morocco, Netherlands, New Zealand, Norway, Pakistan, Peru, Philippines, Poland, Portugal, Qatar, Romania, Russian Federation, Serbia & Montenegro, Singapore, Slovakia, Slovenia, South Africa, Spain, Sweden, Switzerland, Taiwan, Thailand, Tunisia, Turkey, UAE, Ukraine, UK, Uruguay, USA - Asia-Pacific, South and Central America, Central and Eastern Europe, Africa and Middle East, North America, Regional Totals
David Hancock Charlotte Jones

World film production/distribution

Global production total soars as local films gain market share. World film production hit 4,597 feature films in 2005 - a sharp 7.8 per cent increase on the previous year and the highest level recorded since 1990. The increase was led by European film production, particularly in Western Europe, where 1,052 feature films were produced, the highest total in that region since records began. And 44 per cent of West European films were co-productions.
published: 30-Jun-06
territories: Argentina, Australia, Austria, Belgium, Bolivia, Brazil, Bulgaria, Canada, Chile, China, Colombia, Costa Rica, Croatia, Cuba, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Germany, Greece, Hong Kong, Hungary, Iceland, India, Indonesia, Iran, Ireland, Israel, Italy, Jamaica, Japan, Korea. Rep [S], Latvia, Lithuania, Luxembourg, Malaysia, Mexico, Morocco, Netherlands, New Zealand, Norway, Pakistan, Peru, Philippines, Poland, Portugal, Puerto Rico, Romania, Russian Federation, Serbia & Montenegro, Singapore, Slovakia, Slovenia, Spain, Sweden, Switzerland, Taiwan, Thailand, Tunisia, Turkey, UK, Ukraine, USA, Venezuela - Africa and Middle East
David Hancock Charlotte Jones

Digital cinema roll-out begins

We are now seven years into the launch of digital cinema, and the market has reached a point where large-scale commercial roll-out is in its early phases. The number of commercial d-cinema screens doubled in the six months from July to December 2005 and this growth has continued into 2006. In 2005, the first plan to digitise a whole nation was announced and 2006 has already witnessed the digitisation of a whole cinema circuit and another plan to prepare a whole territory for digitisation..
published: 01-Apr-06
territories: Australia, Austria, Belgium, Brazil, Canada, China, Czech Republic, Denmark, Finland, France, Germany, Greece, Hong Kong, Hungary, India, Ireland, Italy, Japan, Korea. Rep [S], Luxembourg, Mexico, Netherlands, Norway, Portugal, Russian Federation, Singapore, Slovakia, Spain, Sweden, Switzerland, Taiwan, Thailand, UK, USA - Central and Eastern Europe
David Hancock Charlotte Jones