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Arts Alliance signs first European VPF deal
29 Jun 07
Region: Europe
Source: Online Services/Intelligence/Cinema/Updates

Arts Alliance, the UK and European digital content distribution company, has pipped its rivals to sign up two US studios to a European VPF deal, with a further two studios in talks. Arts Alliance Media has agreed a Virtual Print Fee (VPF) with Fox and Universal, after some eighteen months of negotiation. AAM is also talking actively to BVI and Paramount. The AAM terms of reference for the deal are that it is non-exclusive, Europe-wide and covers nearly 7,000 screens in its deployment. This could be called Phase 1. AAM is also discussing with independent distributors to bring them into the deal. Rival facilitators also hope to sign VPF deals with studios, and this will be encouragement for them.
Our take...
This deal is significant for several reasons. It was thought that the studios (some at least) were drawing back on a European VPF deal, especially after lessons learned in the first phase of the US deployment. Even if this were the case, this deal indicates that any prevarication is largely over and the majority of studios realise that this is their preferred route to global conversion, while they are not excluding other deals that may be worked out and offered to them. Secondly, there could effectively be no further progress in a digital roll-out in Europe without this move. It changes the landscape to one where this is possible, but it also shows that if exhibitors want guaranteed access to studio content (with no discussions about DCI compliance), then a facilitator may be the best way to go. However, be all that as it may, one thing remains to do and that is convince exhibitors that they want to do this and that the economics are right. The amount of the VPF is not known, and therefore it is difficult to assess whether the exhibitor is going to be happy with the amount they will have to contribute. But it does need to be done, and it is likely that the earliest VPF deals will be the most generous and therefore it is important that exhibitors understand this equation. Wait, and the subsidised contribution from distribution will almost certainly drop, leaving more for them to finance from their own revenues. There are also risks involved with going ahead with digital conversion, but seeing as it is going to happen, and given the fact that 3D is beginning to underline the benefits of going digital, it may be the case that the risk of converting is significantly less than the risks of NOT converting.


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