Published:
11-Feb-08
Released in February 2008, the Disney 3D concert film
Hannah Montana/Miley Cyrus: Best of Both World's Tour recorded $31.1m from 683 digital 3D venues, for an impressive per theatre average of $45,561 in the US opening weekend. In its second weekend outing, the movie grossed another $10.5m from 687 digital 3D theatres for a strong per theatre average of $15,295, more than double the per theatre revenue of any movie on wide release that week, and bringing the overall box office take to over $50.0m. The movie is the first ever digital-3D live film and Disney's fourth in that format to date. Over 96 per cent of the theatres were equipped with digital 3D equipment from RealD, the leading digital stereoscopic theatre equipment provider.
Our take...
The ability to charge a higher ticket premium for the 3D concert film (average $15.00), was a key driver behind the impressive per theatre revenues. A short survey we conducted indicated that tickets were actually priced at more than a 50 per cent premium compared with regular 2D versions of other movies playing in the same theatres (average $9.50). The highest prices were charged by select venues of National Amusements ($20.00), with most other chains charging $15.00 per ticket, or in the case of Carmike at $18.00, with Harkins Theatres the lowest on just $11.00. The opening weekend per theatre averages from the 3D concert film are also impressive compared with Disney's Nightmare before Christmas 3-D, re-released in just 168 digital 3D only theatres for a per theatre revenue average of $19,506 in the US 2006 opening weekend ($9,450 per screen in 564 theatres in 2007).
The positive box office performance follows the news that Disney/Pixar will repurpose the popular Toy Story franchise in 3D (the first two movies) for release in 2009/2010, as well as author the third movie in 3D for release in 2010. These titles add to the growing list of digital 3D titles scheduled and push the potential number of releases to well over ten in 2009. In particular, the final quarter of 2009 is looking crowded for digital 3D titles, where two or more 3D titles would need to be screened simultaneously in theatres. The (five) titles competing for screen time in the fourth quarter 2009 include tent-poles such as Toy-Story (October), Avatar (December), and How to Train Your Dragon (November), the latter the second of a 3D-only slate from Dreamworks Animation.
According to Screen Digest, there were 1,298 digital 3D screens worldwide at end 2007, of which 75 per cent were located in the USA, plus a growing digital 3D screen base in Europe with now well over 200 installations.