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published:
31-Mar-08
territories:
China
categories:
Technology deal
Shanghai Film opts for Christie projectors
China's Shanghai Film Group Corporation (SFC), one of the major vertically-integrated film groups in the territory, has selected DLP Cinema digital projectors from Christie Digital Systems for its digital cinema deployment plan. Under terms of the deal, SFC will purchase and install 100 2K projectors from Christie for its United Circuit multiplex circuit, as part of an initial phase of a larger roll-out. The first installations are expected to be completed by April 2008.
Our take...
The deal will add significantly to China's already fast-growing digital cinema screen base. At end 2007, China was the second largest territory for d-screens worldwide (564 screens), after the USA (4,632). The deal also represents a coup for Christie in the Chinese market, which has so far been dominated by Belgium-based projector manufacturer Barco. As part of an initiative with China Film Group, Barco and GDC technology will supply equipment for a target of 2,000 screens by end 2008.
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Analyst, market intelligence & notices
Reports
(2) 1-2 showing
Digital Cinema: Global and European roll-out, business ...
This comprehensive report includes a full analysis of the global digital cinema roll-out, including all Screen Digest's proprietary market data and forecasts for digital screens to 2012, business models and value chain, an analysis of the current situation and perspectives in Europe, the value proposition for distributors and exhibitors, including digital 3D and alternative content, and full profiles of leading companies and countries
published:
10-Dec-07
territories:
Argentina, Australia, Austria, Belgium, Brazil, Canada, China, Czech Republic, Denmark, Egypt, Finland, Germany, Greece, Hungary, Iceland, Ireland, Italy, Japan, Korea. Rep [S], Mexico, Morocco, Netherlands, New Zealand, Norway, Poland, Portugal, Russian Federation, Singapore, Slovakia, Slovenia, South Africa, Spain, Sweden, Switzerland, UAE, UK, USA
David Hancock
Charlotte Jones
The Business Case for Digital 3D Cinema Exhibition
This report is the first major analysis of this rapidly growing sector. It includes 5 year forecasts for digital 3D cinema screens by major territory, exhibitor business models as well as analysis of potential revenues and profit margins for the industry
published:
20-Jun-07
territories:
Argentina, Australia, Austria, Belgium, Brazil, Bulgaria, Canada, Chile, China, Colombia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Germany, Greece, Hong Kong, Hungary, Iceland, India, Indonesia, Ireland, Israel, Italy, Japan, Korea. Rep [S], Latvia, Lithuania, Luxembourg, Malaysia, Mexico, Netherlands, New Zealand, Norway, Philippines, Poland, Portugal, Romania, Russian Federation, Slovakia, Slovenia, South Africa, Spain, Sweden, Switzerland, UK, UAE, USA, Singapore, Thailand, Taiwan, Turkey
David Hancock
Charlotte Jones
Articles
Digital cinema poised on the cusp
It is on the verge of becoming mainstream in the US but development in Europe and Asia is lagging. At the end of 2007, there were 6,456 d-screens worldwide. A rise of 115 per cent over 2006 and 6.5 per cent of the world's modern screens. Of these 4,650 were in the USA.
published:
17-Jun-08
territories:
Argentina, Australia, Austria, Belgium, Brazil, Bulgaria, Canada, Chile, China, Colombia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Germany, Greece, Hong Kong, Hungary, Iceland, India, Indonesia, Ireland, Israel, Italy, Japan, Korea. Rep [S], Latvia, Lithuania, Luxembourg, Malaysia, Mexico, Netherlands, New Zealand, Norway, Philippines, Poland, Portugal, Romania, Russian Federation, Singapore, Slovakia, Slovenia, South Africa, Spain, Sweden, Switzerland, Taiwan, Thailand, Turkey, UAE, UK, USA, Venezuela - Asia-Pacific, South and Central America, Central and Eastern Europe, Europe, European Union, North America, Regional Totals, Western Europe
David Hancock
Charlotte Jones
Local markets for indigenous films
Ten film markets recorded box office revenue of more than $100m for local films
published:
15-May-08
territories:
Argentina, Australia, Austria, Belgium, Brazil, Canada, China, Czech Republic, Denmark, Estonia, Finland, France, Germany, Hong Kong, Hungary, Iceland, India, Italy, Japan, Korea. Rep [S], Latvia, Lithuania, Malaysia, Mexico, Netherlands, Norway, Poland, Portugal, Romania, Russian Federation, Singapore, Spain, Sweden, Switzerland, Turkey, UK - World
Charlotte Jones
Steady growth in large screens
A record number of large format cinema screen openings is expected in 2008, with 3D a key element
published:
22-Feb-08
territories:
Canada, China, France, India, Japan, Korea. Rep [S], Mexico, Spain, UK, USA - Asia-Pacific, South and Central America, Central and Eastern Europe, Africa and Middle East, North America, Western Europe
Charlotte Jones
Record global cinema box office
Continuing shift in balance of world cinema business
published:
22-Oct-07
territories:
Algeria, Australia, Austria, Belgium, Brazil, Bulgaria, Canada, Chile, China, Colombia, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Germany, Greece, Hong Kong, Hungary, Iceland, India, Indonesia, Ireland, Israel, Italy, Japan, Korea. Rep [S], Latvia, Lithuania, Luxembourg, Malaysia, Malta, Mexico, Morocco, Netherlands, New Zealand, Norway, Peru, Philippines, Poland, Portugal, Qatar, Romania, Russian Federation, Serbia & Montenegro, Singapore, Slovakia, Slovenia, South Africa, Spain, Sweden, Switzerland, Taiwan, Thailand, Turkey, UAE, Ukraine, UK, Uruguay, USA, Venezuela, Bolivia - Asia-Pacific, South and Central America, Central and Eastern Europe, Europe, North America, Western Europe
Charlotte Jones
Film production and distribution
Steady growth continues in world film production, as Russia becomes Europe's second largest producing country, after France, India replaces the EU as the largest producing region and average US budgets exceed $30m. World film production hit 4,858 feature films in 2006-a steady 4.6 per cent increase and the most recent high for world feature output. The increase was led by volume from Asia, particularly the Far East, where 2,481 feature films were produced, the highest total in that region since 1990. Growth was led by China, Japan and India.
published:
19-Jul-07
territories:
Argentina, Australia, Austria, Belgium, Bolivia, Bosnia-Herzegovina, Brazil, Bulgaria, Canada, Chile, China, Colombia, Costa Rica, Croatia, Cuba, Czech Republic, Denmark, Ecuador, Egypt, Estonia, Finland, France, Germany, Greece, Hong Kong, Hungary, Iceland, India, Indonesia, Iran, Ireland, Israel, Italy, Jamaica, Japan, Korea. Rep [S], Latvia, Lithuania, Luxembourg, Malaysia, Malta, Mexico, Morocco, Netherlands, New Zealand, Norway, Pakistan, Peru, Philippines, Poland, Portugal, Puerto Rico, Romania, Russian Federation, Serbia & Montenegro, Singapore, Slovakia, Slovenia, South Africa, Spain, Sweden, Switzerland, Taiwan, Thailand, Tunisia, Turkey, UAE, Ukraine, UK, USA, Venezuela - South and Central America, Central and Eastern Europe, Europe, Africa and Middle East, North America, Western Europe
David Hancock
Charlotte Jones
Movie piracy in Asia-Pacific
Most countries in the region are stepping up efforts to fight the theft of intellectual property, although the reputation of such states as China and Malaysia as hotbeds of piracy remains
published:
12-Jun-07
territories:
Australia, China, Hong Kong, India, Indonesia, Japan, Korea. Rep [S], Malaysia, New Zealand, Philippines, Singapore, Taiwan, Thailand - Asia-Pacific
David Scott
Strong year for domestic films
Local films accounted for a third of box office revenue worldwide last year
published:
15-May-07
territories:
Argentina, Australia, Austria, Belgium, Brazil, Canada, China, Colombia, Czech Republic, Denmark, Estonia, Finland, France, Germany, Hong Kong, Hungary, India, Ireland, Italy, Japan, Korea. Rep [S], Latvia, Lithuania, Malaysia, Mexico, Netherlands, Norway, Philippines, Poland, Portugal, Romania, Russian Federation, Singapore, Slovakia, Slovenia, Spain, Sweden, Switzerland, Taiwan, Thailand, UK, USA - Asia-Pacific, South and Central America, Central and Eastern Europe, Europe, North America, Western Europe, Latin America
Charlotte Jones
Digital cinema up and running
Roll-out is accelerating rapidly in the US, thanks to AccessIT's early installations (with studio support), while Europe seems to be biding its time. The number of commercial d-cinema screens in the world grew by 253 per cent in a year, from 848 to 2,996 at end 2006. This number doubled between the end of the first half 2006 and the end of the year, from 1,474 d-screens to the eventual 2,996. The rate of change has largely been the product of an industrial scale roll-out in the US. AccessIT is driving this progress and has now exceeded 2,000 installations of its 4,000 initial target.
published:
19-Apr-07
territories:
Argentina, Australia, Austria, Belgium, Brazil, Bulgaria, Canada, China, Colombia, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Hong Kong, Hungary, Iceland, India, Indonesia, Ireland, Israel, Italy, Japan, Korea. Rep [S], Latvia, Lithuania, Luxembourg, Mexico, Netherlands, New Zealand, Norway, Poland, Portugal, Romania, Russian Federation, Singapore, Slovakia, Slovenia, South Africa, Spain, Sweden, Switzerland, Taiwan, Thailand, Turkey, UK, USA - Asia-Pacific, South and Central America, Central and Eastern Europe, European Union, Africa and Middle East, Regional Totals, Western Europe
David Hancock
Charlotte Jones
Global box office marks recovery
Only the UK suffered a slight decline in revenue in 2006 as most territories made gains, with China as the fastest growing market
published:
19-Feb-07
territories:
USA, Japan, UK, France, Germany, Spain, Canada, Italy, Australia, Mexico, Russian Federation, China, Brazil, Switzerland, Netherlands, Sweden, Poland, Norway, Ireland, Denmark, Hong Kong, Argentina, Thailand, Singapore, Finland, Malaysia, Czech Republic, Slovenia - Asia-Pacific, Europe, North America, Regional Totals
Charlotte Jones
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