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published:
03-Apr-08
territories:
UK
categories:
Content deal
UK's leading cinema circuit signs up Royal Opera
In a further sign that alternative content is beginning to make in-roads into the cinema of the future, leading UK cinema circuit Odeon Cinemas and smaller circuit City Screen have agreed a deal with the Royal Opera House (ROH) for the upcoming season's events to be shown in its cinemas. Deal is arranged as part of wider distribution agreement between UK digital distribution company Arts Alliance Media (AAM), and Canadian DigiScreen Corp, Pillar Group and Royal Opera House's Opus Arte. AAM has an exclusive distribution agreement to take ROH events across Europe and will be responsible for cinema exhibitor booking negotiation, digital print services, security and tracking, live event project management and marketing/PR support. ROH plans to film 14 productions a year in HD and screen them in cinemas, beginning with The Marriage of Figaro in the autumn, although this was shot in 2006. Events will be a combination of Covent Garden's opera and ballet; the latter will be new for cinemas and is hoped to tap into a wider family audience.
The new strategy for Covent Garden follows the acquisition of spin-off company Opus Arte, Covent Garden's DVD and CD sales outfit), by the ROH for £5.7m. Long-time negotiations between unions and management for new performers' rights deals (due to extra performaces such as these) have been concluded. In the beginning, screenings will be pre-recorded but Covent Garden aims to show live events. Initially, 13 Odeon cinemas will be involved. ROH is also looking to sell rights to these screenings in Europe and America. Ticket prices may start at £12 at Odeons, although City Screen has been charging around £25 for its previous operatic screenings and says that this is nearer the mark when a satellite transmission is involved. New York's Metropolitan Opera is the pioneer in this area, having agreed with cinema groups in several countries, including City Screen, to screen operas live into cinemas). Odeon has already shown three events from Glyndebourne. Both companies have reported seat occupancy of up to 90 per cent.
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Analyst, market intelligence & notices
Reports
(2) 1-2 showing
Digital Cinema: Global and European roll-out, business ...
This comprehensive report includes a full analysis of the global digital cinema roll-out, including all Screen Digest's proprietary market data and forecasts for digital screens to 2012, business models and value chain, an analysis of the current situation and perspectives in Europe, the value proposition for distributors and exhibitors, including digital 3D and alternative content, and full profiles of leading companies and countries
published:
10-Dec-07
territories:
Argentina, Australia, Austria, Belgium, Brazil, Canada, China, Czech Republic, Denmark, Egypt, Finland, Germany, Greece, Hungary, Iceland, Ireland, Italy, Japan, Korea. Rep [S], Mexico, Morocco, Netherlands, New Zealand, Norway, Poland, Portugal, Russian Federation, Singapore, Slovakia, Slovenia, South Africa, Spain, Sweden, Switzerland, UAE, UK, USA
David Hancock
Charlotte Jones
The Business Case for Digital 3D Cinema Exhibition
This report is the first major analysis of this rapidly growing sector. It includes 5 year forecasts for digital 3D cinema screens by major territory, exhibitor business models as well as analysis of potential revenues and profit margins for the industry
published:
20-Jun-07
territories:
Argentina, Australia, Austria, Belgium, Brazil, Bulgaria, Canada, Chile, China, Colombia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Germany, Greece, Hong Kong, Hungary, Iceland, India, Indonesia, Ireland, Israel, Italy, Japan, Korea. Rep [S], Latvia, Lithuania, Luxembourg, Malaysia, Mexico, Netherlands, New Zealand, Norway, Philippines, Poland, Portugal, Romania, Russian Federation, Slovakia, Slovenia, South Africa, Spain, Sweden, Switzerland, UK, UAE, USA, Singapore, Thailand, Taiwan, Turkey
David Hancock
Charlotte Jones
Articles
Digital cinema poised on the cusp
It is on the verge of becoming mainstream in the US but development in Europe and Asia is lagging. At the end of 2007, there were 6,456 d-screens worldwide. A rise of 115 per cent over 2006 and 6.5 per cent of the world's modern screens. Of these 4,650 were in the USA.
published:
17-Jun-08
territories:
Argentina, Australia, Austria, Belgium, Brazil, Bulgaria, Canada, Chile, China, Colombia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Germany, Greece, Hong Kong, Hungary, Iceland, India, Indonesia, Ireland, Israel, Italy, Japan, Korea. Rep [S], Latvia, Lithuania, Luxembourg, Malaysia, Mexico, Netherlands, New Zealand, Norway, Philippines, Poland, Portugal, Romania, Russian Federation, Singapore, Slovakia, Slovenia, South Africa, Spain, Sweden, Switzerland, Taiwan, Thailand, Turkey, UAE, UK, USA, Venezuela - Asia-Pacific, South and Central America, Central and Eastern Europe, Europe, European Union, North America, Regional Totals, Western Europe
David Hancock
Charlotte Jones
Local markets for indigenous films
Ten film markets recorded box office revenue of more than $100m for local films
published:
15-May-08
territories:
Argentina, Australia, Austria, Belgium, Brazil, Canada, China, Czech Republic, Denmark, Estonia, Finland, France, Germany, Hong Kong, Hungary, Iceland, India, Italy, Japan, Korea. Rep [S], Latvia, Lithuania, Malaysia, Mexico, Netherlands, Norway, Poland, Portugal, Romania, Russian Federation, Singapore, Spain, Sweden, Switzerland, Turkey, UK - World
Charlotte Jones
Cinema ownership crosses borders
Eight operators have a major presence in two or more European countries; Terra Firma owns 15 per cent of the top 100 screens in seven markets
published:
23-Apr-08
territories:
Austria, Belgium, France, Germany, Greece, Ireland, Italy, Netherlands, Portugal, Spain, Switzerland, UK - Western Europe
Charlotte Jones
Nascent digital 3D screen base
With a five-fold increase in the number of 3D digital screens opened during the past year, interest in Europe is now picking up pace
published:
26-Mar-08
territories:
Australia, Austria, Belgium, Brazil, Canada, Chile, Ecuador, France, Germany, Greece, Hong Kong, Hungary, Iceland, Ireland, Italy, Japan, Korea. Rep [S], Luxembourg, Mexico, Netherlands, New Zealand, Norway, Philippines, Poland, Portugal, Russian Federation, Singapore, Slovenia, South Africa, Spain, Switzerland, Taiwan, Thailand, Turkey, UK, USA - Asia-Pacific, South and Central America, Central and Eastern Europe, Europe, Africa and Middle East, North America, Western Europe
Charlotte Jones
Steady growth in large screens
A record number of large format cinema screen openings is expected in 2008, with 3D a key element
published:
22-Feb-08
territories:
Canada, China, France, India, Japan, Korea. Rep [S], Mexico, Spain, UK, USA - Asia-Pacific, South and Central America, Central and Eastern Europe, Africa and Middle East, North America, Western Europe
Charlotte Jones
European split over digital cinema
We report on the Budapest conference at which delegates voted on the underlying priciples for their hopes and expectations
published:
01-Dec-07
territories:
France, Germany, Norway, UK - Europe, North America
David Hancock
Record global cinema box office
Continuing shift in balance of world cinema business
published:
22-Oct-07
territories:
Algeria, Australia, Austria, Belgium, Brazil, Bulgaria, Canada, Chile, China, Colombia, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Germany, Greece, Hong Kong, Hungary, Iceland, India, Indonesia, Ireland, Israel, Italy, Japan, Korea. Rep [S], Latvia, Lithuania, Luxembourg, Malaysia, Malta, Mexico, Morocco, Netherlands, New Zealand, Norway, Peru, Philippines, Poland, Portugal, Qatar, Romania, Russian Federation, Serbia & Montenegro, Singapore, Slovakia, Slovenia, South Africa, Spain, Sweden, Switzerland, Taiwan, Thailand, Turkey, UAE, Ukraine, UK, Uruguay, USA, Venezuela, Bolivia - Asia-Pacific, South and Central America, Central and Eastern Europe, Europe, North America, Western Europe
Charlotte Jones
Determining cinema screen widths
Size of screen is expected to be a key factor in the rollout of digital cinema across Europe
published:
06-Aug-07
territories:
Austria, Belgium, Denmark, Finland, France, Germany, Ireland, Italy, Luxembourg, Netherlands, Portugal, Spain, Sweden, UK - Western Europe
David Hancock
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Western Europe
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