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published:
14-Apr-08
territories:
USA
categories:
New product/service, Technology deal
AccessIT selected for independent roll-out
AccessIT, the leading D-cinema facilitator in the US market, has been selected by NATO's The Cinema Buying Group (CBG) to provide the logistical and service support for its digital cinema roll-out of up to 8,000 screens. The group decided to expand its collective weight currently used for bulk purchasing and negotiation in cinema concessions and other equipment, into the digital cinema realm, for its 600 exhibitor members representing a substantial 8,000 screens in the US and Canada, equivalent to around 20 per cent of the screen base in North America. The AccessIT tender was selected from a short list of four D-cinema integrators including Technicolor, Kodak and Digeserv, and reportedly offered distinct advantages from its extensive experience of deploying just shy of 4,000 D-cinema screens in the US as well as competitive cost offering.
Our take...
AccessIT has secured commitments from four US majors to continue to provide digital content for its second phase of deployment targeting 10,000 screens in North America. Under the deal, the Studios also agreed to contribute virtual print fees for a limited time only and it will be necessary to finalise longer term financial contributions for roll-out on CBG member screens, which will reportedly include small contributions from exhibitors themselves. Many exhibitors will be especially keen to upgrade at least a proportion of their screens, sooner, rather than later, in order to capitalise on a wave of high-profile 3D films in 2009. The move also ensures that the independent exhibitors aligned to the scheme will not be left behind in the migration to digital equipment, a now widely recognised risk for smaller exhibitors and single screen cinemas worldwide. However, as an alternative strategy, several smaller exhibitors have had some success adapting their business models to finance and make full use of the digital equipment, including using alternative programming, such as Kino Cinemas in the UK.
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Analyst, market intelligence & notices
Reports
(2) 1-2 showing
Digital Cinema: Global and European roll-out, business ...
This comprehensive report includes a full analysis of the global digital cinema roll-out, including all Screen Digest's proprietary market data and forecasts for digital screens to 2012, business models and value chain, an analysis of the current situation and perspectives in Europe, the value proposition for distributors and exhibitors, including digital 3D and alternative content, and full profiles of leading companies and countries
published:
10-Dec-07
territories:
Argentina, Australia, Austria, Belgium, Brazil, Canada, China, Czech Republic, Denmark, Egypt, Finland, Germany, Greece, Hungary, Iceland, Ireland, Italy, Japan, Korea. Rep [S], Mexico, Morocco, Netherlands, New Zealand, Norway, Poland, Portugal, Russian Federation, Singapore, Slovakia, Slovenia, South Africa, Spain, Sweden, Switzerland, UAE, UK, USA
David Hancock
Charlotte Jones
The Business Case for Digital 3D Cinema Exhibition
This report is the first major analysis of this rapidly growing sector. It includes 5 year forecasts for digital 3D cinema screens by major territory, exhibitor business models as well as analysis of potential revenues and profit margins for the industry
published:
20-Jun-07
territories:
Argentina, Australia, Austria, Belgium, Brazil, Bulgaria, Canada, Chile, China, Colombia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Germany, Greece, Hong Kong, Hungary, Iceland, India, Indonesia, Ireland, Israel, Italy, Japan, Korea. Rep [S], Latvia, Lithuania, Luxembourg, Malaysia, Mexico, Netherlands, New Zealand, Norway, Philippines, Poland, Portugal, Romania, Russian Federation, Slovakia, Slovenia, South Africa, Spain, Sweden, Switzerland, UK, UAE, USA, Singapore, Thailand, Taiwan, Turkey
David Hancock
Charlotte Jones
Articles
Digital cinema poised on the cusp
It is on the verge of becoming mainstream in the US but development in Europe and Asia is lagging. At the end of 2007, there were 6,456 d-screens worldwide. A rise of 115 per cent over 2006 and 6.5 per cent of the world's modern screens. Of these 4,650 were in the USA.
published:
17-Jun-08
territories:
Argentina, Australia, Austria, Belgium, Brazil, Bulgaria, Canada, Chile, China, Colombia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Germany, Greece, Hong Kong, Hungary, Iceland, India, Indonesia, Ireland, Israel, Italy, Japan, Korea. Rep [S], Latvia, Lithuania, Luxembourg, Malaysia, Mexico, Netherlands, New Zealand, Norway, Philippines, Poland, Portugal, Romania, Russian Federation, Singapore, Slovakia, Slovenia, South Africa, Spain, Sweden, Switzerland, Taiwan, Thailand, Turkey, UAE, UK, USA, Venezuela - Asia-Pacific, South and Central America, Central and Eastern Europe, Europe, European Union, North America, Regional Totals, Western Europe
David Hancock
Charlotte Jones
Nascent digital 3D screen base
With a five-fold increase in the number of 3D digital screens opened during the past year, interest in Europe is now picking up pace
published:
26-Mar-08
territories:
Australia, Austria, Belgium, Brazil, Canada, Chile, Ecuador, France, Germany, Greece, Hong Kong, Hungary, Iceland, Ireland, Italy, Japan, Korea. Rep [S], Luxembourg, Mexico, Netherlands, New Zealand, Norway, Philippines, Poland, Portugal, Russian Federation, Singapore, Slovenia, South Africa, Spain, Switzerland, Taiwan, Thailand, Turkey, UK, USA - Asia-Pacific, South and Central America, Central and Eastern Europe, Europe, Africa and Middle East, North America, Western Europe
Charlotte Jones
Steady growth in large screens
A record number of large format cinema screen openings is expected in 2008, with 3D a key element
published:
22-Feb-08
territories:
Canada, China, France, India, Japan, Korea. Rep [S], Mexico, Spain, UK, USA - Asia-Pacific, South and Central America, Central and Eastern Europe, Africa and Middle East, North America, Western Europe
Charlotte Jones
Record global cinema box office
Continuing shift in balance of world cinema business
published:
22-Oct-07
territories:
Algeria, Australia, Austria, Belgium, Brazil, Bulgaria, Canada, Chile, China, Colombia, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Germany, Greece, Hong Kong, Hungary, Iceland, India, Indonesia, Ireland, Israel, Italy, Japan, Korea. Rep [S], Latvia, Lithuania, Luxembourg, Malaysia, Malta, Mexico, Morocco, Netherlands, New Zealand, Norway, Peru, Philippines, Poland, Portugal, Qatar, Romania, Russian Federation, Serbia & Montenegro, Singapore, Slovakia, Slovenia, South Africa, Spain, Sweden, Switzerland, Taiwan, Thailand, Turkey, UAE, Ukraine, UK, Uruguay, USA, Venezuela, Bolivia - Asia-Pacific, South and Central America, Central and Eastern Europe, Europe, North America, Western Europe
Charlotte Jones
Film production and distribution
Steady growth continues in world film production, as Russia becomes Europe's second largest producing country, after France, India replaces the EU as the largest producing region and average US budgets exceed $30m. World film production hit 4,858 feature films in 2006-a steady 4.6 per cent increase and the most recent high for world feature output. The increase was led by volume from Asia, particularly the Far East, where 2,481 feature films were produced, the highest total in that region since 1990. Growth was led by China, Japan and India.
published:
19-Jul-07
territories:
Argentina, Australia, Austria, Belgium, Bolivia, Bosnia-Herzegovina, Brazil, Bulgaria, Canada, Chile, China, Colombia, Costa Rica, Croatia, Cuba, Czech Republic, Denmark, Ecuador, Egypt, Estonia, Finland, France, Germany, Greece, Hong Kong, Hungary, Iceland, India, Indonesia, Iran, Ireland, Israel, Italy, Jamaica, Japan, Korea. Rep [S], Latvia, Lithuania, Luxembourg, Malaysia, Malta, Mexico, Morocco, Netherlands, New Zealand, Norway, Pakistan, Peru, Philippines, Poland, Portugal, Puerto Rico, Romania, Russian Federation, Serbia & Montenegro, Singapore, Slovakia, Slovenia, South Africa, Spain, Sweden, Switzerland, Taiwan, Thailand, Tunisia, Turkey, UAE, Ukraine, UK, USA, Venezuela - South and Central America, Central and Eastern Europe, Europe, Africa and Middle East, North America, Western Europe
David Hancock
Charlotte Jones
Rapid roll-out of digital 3D screens
Studio content is providing a solid foundation for expansion towards the 6,000 screens predicted by Screen Digest for 2009
published:
19-Jul-07
territories:
Germany, UK, USA - Europe, Latin America, North America, World
Charlotte Jones
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